Film Review | Fracture (2007)

Fracture poses a seemingly impossible construct: a man shoots his wife, confesses to the crime, then pleads innocence and seems confident that he will get away with it. An intriguing scenario, but one that the film ultimately doesn't use to its full potential.

The man in question, Ted Crawford, is played by Anthony Hopkins in full "creepy intelligent guy" mode; something that Hopkins does very well and a role in which he doesn't disappoint. Crawford is no Hannibal Lecter, but Hopkins provides the balance of smarts and skin-crawling pleasingly. Prosecuting Crawford is hotshot lawyer Willy Beachum, played by Ryan Gosling. Gosling's performance is enjoyably strong, providing a great counterpoint to Hopkins. The film is by far the strongest when these two share the screen together, with some electric exchanges and first rate dialogue between them. 

The film is less successful when not focused on the relationship between Beachum and Crawford. Beachum's romantic involvement with Nikki Gardner (Rosamund Pike), his potential future boss as Beachum hopes to move to a high-flying corporate law firm, feels flimsy and underdeveloped; police detective Robert Nunally (Billy Burke) also feels unevenly written and never fleshed out in a meaningful way.

The plot provides some tense scenes, and director Gregory Hoblit manages to produce some genuine suspense, particularly early on the film and in the scenes between Hopkins and Gosling. But the conclusion is ultimately underwhelming and too often proceedings are allowed to unfold in a very ordinary way. Essentially, Fracture never truly does anything remarkable, and without the two strong leading men, this would be forgettable. As it is, the film provides agreeable entertainment but in a consistently average way.

6/10

Film Review | The Exorcism Of Emily Rose (2005)

As the more recent film The Last Exorcism proved, putting a fresh spin on an exorcism film without falling into genre clichés or simply making something not very good can be tricky. Daniel Stamm's film attempted to mix exorcism with a "found footage" style, with largely unimpressive results. Five years previous, Scott Derrickson's The Exorcism Of Emily Rose attempted to blend exorcism with another quite distinct genre: courtroom drama. It's an intriguing mix, and one that surpasses the efforts of Stamm's later film.

The film follows the trial of Father Richard Moore (Tom Wilkinson), charged with causing the death of Emily Rose (Jennifer Carpenter) upon whom he performed an exorcism. Defending him is successful lawyer Erin Bruner (Laura Linney), who initially takes the case to further her own career. However, Bruner soon begins to pay more attention to Father Moore's insistence that dark forces surround the trial.

Essentially, The Exorcism Of Emily Rose is a relative success. The courtroom scenes are well made, if at times unremarkable and occasionally lacking in production values. The horror scenes, showing through flashbacks the events leading up to the exorcism, are again fairly effective but rarely anything more than that. A couple of scenes do stand out however: the sequence in which the demon supposedly first enters Emily's body is particularly uncomfortable, and the exorcism scene itself provides a good few chills. Other sections feel less successful, however; the dispatching of a key witness in the trial feels hackneyed both in terms of plotting and execution.

Wilkinson is reliably strong, making Father Moore feel sympathetic and honest, whilst also maintaining a slight sense that he may not be all there. Linney too does well in the lead, although she feels a lot more at home in the courtroom than being spooked by things that go bump in the night. Carpenter also deserves praise for making Emily either believably possessed or believable as someone who believes herself to be possessed, depending on your take on the film.

As a different spin on exorcism movies, The Exorcism Of Emily Rose must be commended for its comparative success. It provides relatively compelling courtroom drama, complete with a host of interesting witnesses and a suitably slimy prosecutor played ably by Campbell Scott, alongside a fairly effective horror story. It never threatens to be anything more than pretty good, but it's still a worthwhile watch, and an enjoyable and undeniably original entry into the exorcism subgenre.

6/10