Film Review | Arthur Christmas (2011)

With a title based around such a tenuous pun, Arthur Christmas ("Arthur" sounds a bit like "Father", geddit?) was a film I was prepared to watch and then forget, another entry into the middle-of-the-road Christmas cinematic canon. Thankfully, setting my expectations at such an average level meant that Arthur Christmas ended up as something of a pleasant surprise.

The film follows Arthur (James McAvoy), the youngest son of Santa Claus (Jim Broadbent) who is well-meaning but clumsy and kept out of the way as much as possible, especially by his older brother Steve (Hugh Laurie). When one gift is left behind on Christmas Eve, Arthur and his grandfather Grandsanta (Bill Nighy) to find a way to make sure it's delivered before Christmas morning.

Plot-wise, Arthur Christmas isn't anything particularly special. The main story is entertaining but provides very few twists or developments that will surprise; once Arthur and Grandsanta set their plan in motion to deliver the missed present, it's pretty obvious how things will conclude. The family dispute subplot is somewhat more original, but also reaches the most predictable conclusion that you'll have seen coming from somewhere during the film's first act.

Thankfully, there's quite a lot elsewhere to prop up Arthur Christmas's by-the-numbers plotting. The voice cast is a veritable "who's who" of British talent, with each imbuing his or her character with charm and humour. Whilst the script may not crackle with comedy the same way that Aardman Animation's traditional stop-motion efforts do, the jokes here hit the mark far more often than they miss. The animation itself is also impressive - not quite Pixar standards, but with some beautifully realised scenes throughout, as well as some finely constructed action sequences. All of this lends the "modern versus traditional" message and the inventive way it's put across throughout the film tangible credibility, as well as making the film enjoyable even at points when the script is at its least focused or inspired.

Arthur Christmas ends up as a very entertaining Christmas tale. What it lacks in depth or originality in its story, it more than makes up for in the talent on show through both the casting and the animation. It's a new Christmas film with both genuine heart and humour - something that seems to be true less and less often in recent years.

7/10

Film Review | The Pirates! In An Adventure With Scientists (2012)

With jokes about parrots that aren't quite what they seem, women wearing unconvincing beards and non sequitur references to pork products, The Pirates! In An Adventure With Scientists owes more to Monty Python than Johnny Depp's recent swashbuckling adventures. And, I hasten to add, it's all the better for it.

The film follows the exploits of the Pirate Captain (Hugh Grant), a notoriously inept pirate who sets his sights on winning the Pirate Of The Year award. After crossing paths with Charles Darwin (David Tennant) however, the Pirate Captain changes his aim, hoping for success of a more scientific nature in London.

The Pirates! comes from Aardman Animation, most famous for bringing Wallace & Gromit to both the small and big screen, and their charming brand of British humour pervades this latest effort. The whole thing is gloriously silly and surreal. Running jokes, such as the Pirate Captain's crew being known by descriptions of themselves (my favourite example being Pirate Who Likes Sunsets And Kittens), and their obsession with ham (the best thing about being a pirate, apparently), are never explained and all the funnier for it. The humour drives things along, making the whole film a joy; there's more than enough to keep the adults heartily amused, with historical and cinematic references to the likes of Jane Austen (anachronistic, but still funny) and Joseph Merrick (spot on), in a similar style to the best work of animation gods Pixar. The lengthy process of stop-motion animation in which Aardman have chosen to beautifully realise their film complements the tone of the script brilliantly and gives the whole thing a warmth and sheen that only a labour of love can accomplish.

The film would undoubtedly not be the success it is without the comprehensively excellent voice cast. Hugh Grant's turn as the Pirate Captain is a delight from start to finish, giving him an air of loveable idiocy that is unmistakeably British. Tennant's Darwin is understated in comparison, but is just as enjoyable and shows his expert skill at comic performance, allowed now and then to come to the surface in his most famous role as The Tenth Doctor in Doctor Who but fully utilised here. The supporting cast has talent to spare with the likes of Brendan Gleeson, Martin Freeman and Imelda Staunton putting in mirthful turns, as well as Lenny Henry, Salma Hayek and Brian Blessed making welcome cameos.

The Pirates! does have flaws: the plot feels like it's a little overstretched even for the relatively slight running time of just under an hour and a half, with sections in the middle lacking direction and a final act reveal that feels a bit too tacked on to be truly satisfying. It could also be argued that, for a film focused primarily on pirates, there isn't as much swashbuckling and cutlass-swinging to be seen as you'd expect. But the things that the film gets right more than make up for its minor shortcomings. This is intelligent and expertly-crafted film-making with heart and an unashamed dedication to its very British heritage. So sit back, have a slice of ham, and let the tidal wave of silliness wash over you.

8/10